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Single-Pass Inkjet in the Graphics Market

Could single-pass inkjet change the future of high-volume graphics printing?




Single-Pass Inkjet in the Graphics Market

LAST YEAR at drupa, the influx of single-pass inkjet technology for commercial applications generated a lot of buzz in the printing industry. Systems designed for corrugated packaging were particularly noteworthy, with the previously announced PageWide Web Press T1100S printer (an HP/KBA collaboration) and Bobst digital corrugated board printer (which uses Kodak Prosper-S heads) joined by a number of new systems from companies such as EFI and Durst. In 2017, EFI has announced two placements of its Nozomi C18000 UV LED line (Rafael Hinojosa, Xátiva, Spain, and McGowans Print, Dublin, Ireland), while Durst announced that its first Rho 130 SPC line would be installed at Schumacher Packaging, Ebersdorf, Germany.

From the manufacturers’ point of view, it’s easy to understand why the packaging industry is so appealing. In terms of the volume of printed material, packaging is orders of magnitude larger than traditional graphics applications, with only a fraction of the market having converted to digital technology thus far.

Once inkjet manufacturers master the challenges of building single-pass UV inkjet systems for industrial use, however, we might see some of that expertise incorporated into next-generation printers for the sign and graphics market. For example, Barberán has used its expertise in UV single-pass printing to develop single-pass inkjet systems for corrugated packaging as well as sign panels. Bennett Packaging in Kansas City, Missouri, is among the first in the US to use a Jetmaster system for corrugated packaging and retail displays.

Single-Pass Inkjet in the Graphics Market
Barberán has used its expertise in UV single-pass printing to develop single-pass inkjet systems for corrugated packaging as well as sign panels.

The drive to develop high-speed single-pass inkjet printers for higher-volume printing markets is stimulating some important advances in industrial printheads, LED-curable UV inks, data processing, inline quality control, and predictive maintenance. Some advances will inevitably make their way into the superwide printers used for higher-speed production of different types and sizes of large-format graphics.


Eileen Fritsch is a Cincinnati-area-based freelance writer who served as assistant editor of Screen Printing magazine in 1994 before being named a founding editor of Big Picture magazine.


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